Blade

Adventure, Horror, Thriller, Action

Wesley Snipes	Blade/Eric Brooks/The Daywalker
Stephen Dorff	Deacon Frost
Kris Kristofferson	Abraham Whistler
N'Bushe Wright	Dr. Karen Jenson
Donal Logue	Quinn
Udo Kier	Vampire Elder Dragonetti
Arly Jover	Mercury
Traci Lords	Racquel
Devon Sawa	Vanessa
Kevin Patrick Walls	Officer Krieger
Sanaa Lathan	Vanessa Brooks
Tim Guinee	Dr. Curtis Webb
Eric Edwards	Pearl

Director	Stephen Norrington
Producer	Peter Frankfurt; Wesley Snipes
Writer	David S. Goyer
Cinematography	Theo van de Sande
Musician	Mark Isham

The recipe for Blade is quite simple; you take one part Batman, one part horror flick, and two parts kung fu and frost it all over with some truly campy acting. What do you get? An action flick that will reaffirm your belief that the superhero action genre did not die in the fluorescent hands of Joel Schumacher. Blade is the story of a ruthless and supreme vampire slayer (Wesley Snipes) who makes other contemporary slayers (Buffy et al.) look like amateurs. Armed with a samurai sword made of silver and guns that shoot silver bullets, he lives to hunt and kill "Sucker Heads." Pitted against our hero is a cast of villains led by Deacon Frost (Stephen Dorff), a crafty and charismatic vampire who believes that his people should be ruling the world, and that the human race is merely the food source they prey on. Born half-human and half-vampire after his mother had been attacked by a blood-sucker, Blade is brought to life by a very buff-looking Snipes in his best action performance to date. Apparent throughout the film is the fluid grace and admirable skill that Snipes brings to the many breathtaking action sequences that lift this movie into a league of its own. The influence of Hong Kong action cinema is clear, and you may even notice vague impressions of Japanese anime sprinkled innovatively throughout. Dorff holds his own against Snipes as the menacing nemesis Frost, and the grizzly Kris Kristofferson brings a tough, cynical edge to his role as Whistler, Blade's mentor and friend. Ample credit should also go to director Stephen Norrington and screenwriter David S. Goyer, who prove it is possible to adapt comic book characters to the big screen without making them look absurd. Indeed, quite the reverse happens here: Blade comes vividly to life from the moment you first see him, in an outstanding opening sequence that sets the tone for the action-packed film that follows. From that moment onward you are pulled into the world of Blade and his perpetual battle against the vampire race. --Jeremy Storey