In Collection
#22
Seen It:
Yes
Horror, Documentary, Science Fiction
USA / English
| Sigourney Weaver |
|
| Tom Skerritt |
|
| John Hurt |
Himself |
| Harry Dean Stanton |
|
| Ian Holm |
Himself |
| Yaphet Kotto |
Himself |
| Veronica Cartwright |
Herself |
| Carrie Henn |
|
| Michael Biehn |
|
| Paul Reiser |
|
| Nick Allder |
Himself - Visual Effects Supervisor |
| Bolaji Badejo |
Himself |
| Mia Bonzanigo |
Herself - Assistant to H.R. Giger |
| Bob Burns |
Himself - Archivist of Fantastic Cinema |
| Ron Cobb |
Himself - Conceptual Artist |
| Leslie Dilley |
Himself - Art Director |
| H.R. Giger |
Himself - Alien Design |
| Brian Johnson |
Himself - Visual Effects Supervisor |
| John Mollo |
Himself - Costume Design |
| Dan O'Bannon |
Himself - Screenwriter |
| Ivor Powell |
Himself - Associate Producer |
| Director |
Ridley Scott; James Cameron |
| Producer |
David Giler; David C. Fein |
An interesting feature of
Alien,
Aliens,
Alien 3, and
Alien Resurrection, worth watching together if only for the chance to see how different directors handle essentially the same idea. The results are decidedly mixed. Ridley Scott's
Alien is the most traditional of the bunch, essentially a haunted-house picture set on a space freighter, where a monster is picking off crew members one by one. James Cameron's
Aliens is the all-out adrenaline bath, a pulse-pounding action thriller from start to finish. It plays a little like a Western in outer space, where the settlers are waiting for a cavalry that never comes--and the Indians are acid-veined aliens. And David Fincher's
Alien 3 is the rock-video version, in which substance and storytelling are sacrificed to editing and imagery, as the aliens attempt to take over a space penal colony.
--Marshall Fine
| Barcode |
086162104398 |
| Region |
Region 1 |
| Release Date |
8/21/2001 |
| Disks |
4 |
| Disc 1: |
|
Color Closed-captioned THX Widescreen Box set Dolby |
|
|